Books

Harry Potter And The Chamber Of Secrets

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Anselm Kiefer In Conversation With Klaus Dermutz

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In the Past: From Trilobites to Dinosaur

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The Iron Man

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The Kremlin Ball

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Portfolio: Beginning Composition

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Body, The (Lead Title)

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For the Record

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Baker Street Four, Vol. 1

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Baker Street Four, Vol. 2

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Baker Street Four, Vol. 3

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Elves, Vol. 1

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Scoop, Vol. 1

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Comet, Vol. 1

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Midnighter And Apollo

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POEMSIA – A NOVEL

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Online store of household appliances and electronics

Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.