Books
A Century of Genocide: Utopias of Race and Nation – Updated Edition
A Century of Biblical Archaeology
A Ceaser Reader: Selections from Bellum Gallicum and Bellum Civile and from Ceasar’s Letters Speeches and Poetry (Latin Readers)
A Catholic Book of Hours and Other Devotions
A Catalogue of the Telugu Books in the Library of the British Museum Completed by L. D. Barnett. Printed by Order of the Trustees
A Catalogue of the Moths of India Volume PT 1-7
A Catalogue of 250 Coloured Etchings; Descriptive of the Manners Customs Character Dress and Religious Ceremonies of the Hindoos Descriptive of … and Religious Ceremonies of the Hindoos
A Catalog of Special Plane Curves (Dover Books on Mathematics)
A Cast-Off Coven: A Witchcraft Mystery: 2
A Cast of Stones: 01 (The Staff and the Sword)
A Case of Two Cities: Inspector Chen 4 (As heard on Radio 4)
A Case of Need: A Suspense Thriller
A Case for Amillennialism: Understanding the End Times
A Caribbean Mystery: Book 10 (Marple)
A Caress of Twilight: 2 (Merry Gentry)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













