Books
A Course in Abundance: Your Life’s Plan for Abundance
A Course in Abundance: Mind over Matter
A Course in Abundance: Expressing Your Love for Life
A COUNTRYMAN’S LOT: Tales From The Dales
A Country Road A Tree: Shortlisted for the Walter Scott Memorial Prize for Historical Fiction
A Costly Freedom: A Theological Reading of Mark’s Gospel
A Corpse in the Koryo: An Inspector O Novel (Inspector O Novels)
A Cornucopia of Dunderheads: A Parody of the Novel A CONFEDERACY OF DUNCES by John Kennedy Toole with a Foreword by Franz-Heinrich Katecki
A Corner of the Universe (Scholastic Gold)
A Corner of A Foreign Field: The Indian History of a British Sport
A Contract with God – And Other Tenement Stories (The Will Eisner Library)
A Contented House with Twins
A Contemporary Challenge to State Sovereignty: Gangs and Other Illicit Transnational Criminal Organizations in Central America El Salvador Mexico Jamaica and Brazil
A Consultation With the Back Doctor
A Constellation Of Vital Phenomena
A CONSPIRACY OF FRIENDS (Corduroy Mansions)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













