Books
A Guide To Laundry-Work – A Manual For Home And School
A Guide to Living in the Truth: St. Benedicts’s Teaching on Humility
A Guide to Making a Leather Belt – A Collection of Historical Articles on Designs and Methods for Making Belts
A Guide to Making Your Own Fishing-Rod and Tackle
A Guide To Matlab Object-Oriented Programming
A GUIDE TO MENTAL HEALTH & PSYCHIATRIC NURSING
A Guide to Model Locomotives – A Collection of Vintage Articles on the Design and Construction of Model Trains and Railways
A Guide to Motor Cycle Design – A Collection of Vintage Articles on Motor Cycle Construction
A Guide to Musical Analysis
A Guide To Network Marketing
A Guide to Network Marketing
A Guide to Non-Cash Reward (Business Success)
A Guide to Open Innovation and Crowdsourcing: Advice from Leading Experts in the Field
A Guide to Personal Happiness
A Guide to Photographic Copyright – Camera Series Vol. XXV. – A Selection of Classic Articles on the Laws of Artistic Copyright
A Guide to Pruning Fruit Trees for a Productive Orchard
A Guide to Rational Living
A Guide to Reagents in Organic Synthesis
A Guide to Risk Based Internal Audit System in Banks
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













