Books
A General Theory of Oblivion
A General Theory of Oblivion
A Generalized Theory of International Trade
A Gentle Thunder: Hearing God Through the Storm
A Gentleman Entertains Revised and Expanded: A Guide to Making Memorable Occasions Happen (The GentleManners Series)
A Gentleman in Moscow: A Novel
A Gentleman in Moscow: A Novel (Random House Large Print)
A Gentleman in Moscow: The worldwide bestseller [Paperback] Towles Amor
A Gentleman Never Tells: A Novella
A Gentleman’s Honour: Number 2 in series (Bastion Club)
A Geography of Asia Including the East Indies (Classic Reprint)
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (Oxford Studies in Music Theory)
A Germ’s Journey (Follow It!)
A Ghost in the Machine: A Chief Inspector Barnaby Novel: 7 (Chief Inspector Barnaby Novels 7)
A Ghost of Che: A Motorcycle Ride Through Space Time Life and Love
A Ghost′s Memoir – The Making of Alfred P Sloans My Years with General Motors (The MIT Press)
A Ghostly Undertaking: A Ghostly Southern Mystery: 1 (Ghostly Southern Mysteries)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













