History Book
Strange Gods: A Secular History of Conversion
Studies in the Chinese Drama
Suicide Squad Vol. 6: The Secret History Of Task Force X
Tatas, Fredie Mercury and Other Bawas: An Intimiate History of the Parsis
The Armies of the Night: History as a Novel, the Novel as History
The Black History Book (Big Ideas) (Lead Title)
THE CALL OF THE ROAD: THE HISTORY OF CYCLE ROAD RACING
The Cambridge History of American Literature
The Chinese in America: A Narrative History
The Cold War: A History
The Complete Financial History of Berkshire Hathaway: A Chronological Analysis of Warren Buffett & C
The Confidence Men: How Two Prisoners of War Engineered the Most Remarkable Escape in History
The Curious History of Dating: From Jane Austen to Tinder
The Dawn of Everything: A New History of Humanity
The Diary Of A Young Girl -FINGERPRINT?
The Diary of a Young Girl?
THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS
The Early History of India: From 600 B. C. to the Muhammadan Conquest (1908)
The Emergency: A Personal History
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













