Christian Books & Bibles
My First Illustrated Bible Stories Old Testament (Boxed Set of 10 Books)
My First Illustrated Bible Story: Daniel and the Lions
My First Illustrated Bible Story: David and Goliath
My First Illustrated Bible Story: Jesus Arrested and Tried
My First Illustrated Bible Story: Jesus Calms the Storm
My First Illustrated Bible Story: Jesus feeds 5000
My First Illustrated Bible Story: Jonah and the Whale
My First Illustrated Bible Story: King Solomon
My First Illustrated Bible Story: Mighty Samson
My First illustrated Bible Story: Noah?s Ark
My First Illustrated Bible Story: The Birth of Christ
My First Illustrated Bible Story: The Empty Tomb
My First Illustrated Bible Story: The Fall of Jericho
My First Illustrated Bible Story: The Grove of Olives
My First Illustrated Bible Story: The Last Supper
My First Illustrated Bible Story: The Prodigal Son
My First Illustrated Bible Story: The Story of Abraham
My First illustrated Bible Story: The Story of Creation
My First Illustrated Bible Story: The Story of Lazarus
My First Illustrated Bible Story: The Story of Moses
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













