Children's Books
THE BABY-SITTERS CLUB #01: KRISTYS GREAT IDEA (NETFLIX EDITION)
THE BABY-SITTERS CLUB #20: KRISTY AND THE WALKING DISASTER (NETFLIX EDITION)
The Baby-sitters Club #22: Jessi Ramsey, Pet-Sitter (Netflix Edition)
The Baby-sitters Club #23: Dawn on the Coast (Netflix Edition)
The Baby-sitters Club #24: Kristy and the Mothers Day Surprise
THE BABY-SITTERS CLUB #8: BOY- CRAZY STACEY (NETFLIX EDITION)
The Baby-Sitters Club Graphix#01 Kristys Great Idea
THE BABY-SITTERS CLUB GRAPHIX#04 CLAUDIA AND MEAN JANINE: FULL-COLOR EDITION
THE BABY-SITTERS CLUB GRAPHIX#1-7: A GRAPHIX COLLECTION: FULL-COLOR EDITION
THE BABY-SITTERS CLUB: SUPER SPECIAL #1: BABY-SITTERS ON BOARD! (NETFLIX EDITION)
THE BABY-SITTERS LITTLE SISTER #1: KARENS WITCH
THE BABY-SITTERS LITTLE SISTER #5: KARENS SCHOOL PICTURE
THE BABY-SITTERS LITTLE SISTER #6: KARENS LITTLE SISTER
THE BABY-SITTERS LITTLE SISTER #7: KARENS BIRTHDAY
THE BABY-SITTERS LITTLE SISTER #8: KARENS HAIRCUT
THE BABY-SITTERS LITTLE SISTER #9: KARENS SLEEPOVER
The Basque Dragon
The Bear and the Two Friends – Illustrated Moral Story for Children
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













