Children's Books
THE BABY-SITTERS LITTLE SISTER #8: KARENS HAIRCUT
THE BABY-SITTERS LITTLE SISTER #7: KARENS BIRTHDAY
THE BABY-SITTERS LITTLE SISTER #6: KARENS LITTLE SISTER
THE BABY-SITTERS LITTLE SISTER #5: KARENS SCHOOL PICTURE
Hey Duggee: Duggee and Friends Little Library
MONSTER! HUNGRY! PHONE!
101 Pencil Control Activity Book For Kids: Tracing Practise Book Age 2+
THE BABY-SITTERS LITTLE SISTER #1: KARENS WITCH
The Neptune Project
I Am Mary Shelley
101 Sight Words And Sentence (With 400+ Sentences To Read): Activity Book For Children
201 Sight Words And Sentence (With 800+ Sentences To Read): Activity Book For Children
I am a little teapot for your Indian baby
Johnny Johnny yes papa for your indian baby
101 Activity Book : Fun Activity Book For Children (Logical Reasoning And Brain Puzzles)
Greatest Stories for Children
Pinkfong Baby Shark – Ocean Music : Super Coloring and Activity Book
Dk Workbooks: Spelling, Kindergarten: Learn And Explore
Princess Jigsaw Puzzle Box – 4 in 1 Box Set (Jigsaw Puzzle for Kids Age 3 and Above)
The Little Engine That Could (Lead Title)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













