Children's Books
PIGGY BANK TO PORTFOLIO : How to Raise Financially Smart Kids
Pinkfong Baby Shark – Baby Shark And The Tooth Fairy : Padded Story Books
Pinkfong Baby Shark – Fin-tastic Family : Giant Coloring and Activity Book
Pinkfong Baby Shark – Grandma Sharks Magic Wand : Padded Story Books
Pinkfong Baby Shark – Grandpa Sharks Hot Clam Buns : Padded Story Books
Pinkfong Baby Shark – Jawsome : Fun Coloring and Activity Book
Pinkfong Baby Shark – Mommys Little Shark : Jumbo Coloring and Activity Book
Pinkfong Baby Shark – Ocean Music : Super Coloring and Activity Book
Pinkfong Baby Shark – Police Sharks To The Rescue : Padded Story Books
Pinkfong Baby Shark – Shark-tastic : Activity Book For Children
Pinkfong Baby Shark – Wash Your Hands : Padded Story Books
PJ Masks – All Shout Hooray: Coloring Book For Kids
PJ Masks – Ready For Action: Coloring Book For Kids
PJ Masks – We Are On Our Way: Coloring Book For Kids
PJ Masks To The Rescue: Coloring Book For Kids
Planning for Childrens Play and Learning: Meeting children?s needs in the later stages of the EYFS
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













