Children's Books
Martin Luther King Jr. (Bloomsbury India)
Agatha Christie (Bloomsbury India)
Dwayne Johnson (Bloomsbury India)
The Baby-sitters Club #23: Dawn on the Coast (Netflix Edition)
Number children book
Awesome Facts for Curious Kids: 6 Year Olds
Awesome Facts for Curious Kids: 7 Year Olds
Awesome Facts for Curious Kids: 8 Year Olds
DK Super Readers Level 3 Marvel Meet Ms. Marvel
Hey Duggee: Little Learning Library
The Baby-sitters Club #22: Jessi Ramsey, Pet-Sitter (Netflix Edition)
555 SUPER FUN Activity Book for Smart Kids
Would You Rather? Made You Think! Edition: Answer Hilarious Questions and Win the Game of Wits
History Hunters: Akbar and the Agents from the East
Shlokas and Mantras For Kids – Illustrated Padded Board Book – Learn About Indias Rich Culture and
UNICORN DIARIES #05: Bo and the Merbaby
Baby-sitters Club #21: Mallory and the Trouble With Twins (Netflix Edition)
Hey Duggee: The Colour Badge
OWL DIARIES #10: EVA AND BABY MO (A BRANCHES BOOK)
THE BABY-SITTERS CLUB #20: KRISTY AND THE WALKING DISASTER (NETFLIX EDITION)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













