Children's Books
ASTERIX: THE COMPLETE ASTERIX BOX SET (39 TITLES)
HOW TO CATCH A STAR (LIMITED EDITION)
The Lost Kids (Never Ever)
The Wonderful World of Dr. Seuss
Dr. Seusss Reading Ladder : A Perfect Collection Of Classic Stories, To Help Young Children Learn T
Never Missing, Never Found
Puffin In Bloom Collection
THE BABY-SITTERS CLUB GRAPHIX#1-7: A GRAPHIX COLLECTION: FULL-COLOR EDITION
Rebels of Eden: A Novel (Volume 3) (Children of Eden)
The Mitch Albom Collection (9-book Box Set)
The Famous Five Adventures Collection: Colour Short Stories Slipcase of 9 Books
Everything You Need to Know About Sharks
Planning for Childrens Play and Learning: Meeting children?s needs in the later stages of the EYFS
We Wish You A Merry Christmas: 10 Kids Picture Books Bundle
TIME For Kids Big Book of WHEN (TIME for Kids Big Books)
Shoot-Out: Mike Lupicas Comeback Kids
ST CLARES BOX SET (Set of 09 Books)
The Grand Amar Chitra Katha Collection: Set of 12 books
THERAPEUTIC TREASURE BOX FOR WORKING WITH CHILDREN AND ADOLESCENTS WITH DEVELOPMENTAL TRAUMA
Ever After High: An Enchanted Pop-Up Scrapbook
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













