Science Fiction & Fantasy Books
CREATIVE HAVEN GOTHIC FANTASY COLORING BOOK
Wreaking Havoc: How To Create Fantasy Warriors And Wicked Weapons
GERONIMO STILTON AND THE KINGDOM OF FANTASY? #14: THE KEEPERS OF THE EMPIRE
Planetfall
GERONIMO STILTON AND THE KINGDOM OF FANTASY #13:THE BATTLE FOR CRYSTAL CASTLE
GERONIMO STILTON AND THE KINGDOM OF FANTASY #12: ISLAND OF DRAGONS
Grimgar of Fantasy and Ash (Volume 3)
Cosmic Dancer: An Interdimensional Fantasy
My Fantasy World
GERONIMO STILTON AND THE KINGDOM OF FANTASY #11: THE GUARDIAN OF THE REALMFANTASY
HOW TO DRAW FANTASY WORLDS
Five Shades of Fantasy
GERONIMO STILTON THE KINGDOM OF FANTASY SE: THE DRAGON OF FORTUNE
GERONIMO STILTON AND THE KINGDOM OF FANTASY #10: THE SHIP OF SECRETS
GERONIMO STILTON AND THE KINGDOM OF FANTASY #09: THE WIZARDS WAND
GERONIMO STILTON AND THE KINGDOM OF FANTASY #08: THE HOUR OF MAGIC
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













