Action & Adventure Books
THEA STILTON MOUSEFORD ACADEMY#11 LIGHTS CAMERA ACTION!
Up Campus, Down Campus: The Adventures Of Anirban Roy In Jnu
Jojos Bizarre Adventure
The Adventures of Huckleberry Finn
A Bandits Tale: The Muddled Misadventures of a Pickpocket
GERONIMO STILTON AND THE KINGDOM OF FANTASY #08: THE HOUR OF MAGIC
SCHOLASTIC CLASSICS: THE JUNGLE BOOK (SE LIVE-ACTION VERSION)
British Politics: A Beginners Guide
The Adventures of Tintin: Volume 4
The Adventures Of Tintin: Volume 3
The Adventures of Tintin: Volume 6
The Adventures of Tintin: Volume 7
The Misadventures Of Butterfingers Vol. 1
The Complete Adventures of Charlie and Mr Willy Wonka
The Adventures of Feluda: The Curse of the Goddess
Alices Adventures In Wonderland..
The Adventures of Tintin: Volume 5
Adventures Of Feluda: EmperorS Ring (R/
Wonderful Adventures Of Mrs Seacole In M
GB #26 MY HAIRIEST ADVENTURE
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













