Action & Adventure Books
The Adventures of Tintin: Volume 6
The Adventures Of Tintin: Volume 3
The Adventures of Tintin: Volume 4
Exercises on the Grammalogues and Contractions of Pitmans Shorthand – Primary Source Edition
The Strange Adventure of a Broke Mercenary (Light Novel) Vol. 7
Snakes in the Ganga
Enough Said: Whats Gone Wrong with the Language of Politics?
The Anarchy: The Relentless Rise of the East India Company?
POK?MON ADVENTURES COLLECTORS EDITION, VOL. 8
DEFINITIVE GUIDE TO GOVERNMENT CONTRACTS, THE
Safety in Numbers: Nurse-To-Patient Ratios and the Future of Health Care (The Culture and Politics o
Educating Alice: Adventures of a Curious Woman
How Prime Ministers Decide
Planetfall
Nothing Rhymes with Orange: (Cute Childrens Books, Preschool Rhyming Books, Childrens Humor Books,
Greatest Comedies of Shakespeare (Deluxe Hardbound Edition)
Jojos Bizarre Adventure
Draw Your Big Idea: The Ultimate Creativity Tool for Turning Thoughts Into Action and Dreams Into Re
I Dont Wait Anymore: Letting Go of Expectations and Grasping Gods Adventure for You
DRAGON QUEST: THE ADVENTURE OF DAI, VOL. 3
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













