Action & Adventure Books
Wonderful Adventures Of Mrs Seacole In M
British Politics: A Beginners Guide
The Wonderful Adventure of Nils Holgersson
A SHERLOCK HOLMES ADVENTURE ? UNQUIET SPIRITS: WHISKY, GHOSTS, MURDER
Uncle Shawn and Bill and the Pajimminy Crimminy Unusual Adventure
Belief And Beyond: Adventures In Consciousness From The Upanishads To Modern Times
India Unmade: How The Narendra Modi Government Broke The Economy
Rowley Jeffersons Awesome Friendly Adventure
Commercials Understanding of Provisions of Prohibition of Benami Property Transactions Act, 1988 –
DEVIL?S DUE, THE – A SHERLOCK HOLMES ADVENTURE (3)
Path of Night (Chilling Adventures of Sabrina, Novel 3)
The Population Myth: Islam, Family Planning and Politics in India
A Woman Makes a Plan: Advice for a Lifetime of Adventure, Beauty, and
Discover It Yourself: Animals In Action
The Adventures of Pinocchio
Burning Bright: A Novel Based on the Adventures of Jim Corbett
Adventures of Brer Rabbit and Friends
Neta Abhineta: Bollywood Star Power in Indian Politics
Law of Attraction Manifestation Journal: A Guided Journal for Manifesting Your Deepest Desires
YR ALICES ADVENTURES IN WONDERLAND
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













