Action & Adventure Books
GERONIMO STILTON AND THE KINGDOM OF FANTASY? #14: THE KEEPERS OF THE EMPIRE
GERONIMO STILTON THE KINGDOM OF FANTASY SE: THE DRAGON OF FORTUNE
Girls of India Series: A Chera Adventure
Government Doesnt Want You To Know This
Grasping Greatness: Making India a Leading Power
Greatest Comedies of Shakespeare (Deluxe Hardbound Edition)
Grimgar of Fantasy and Ash (Light Novel) Vol. 18
Grimgar of Fantasy and Ash (Volume 3)
H-Pop : The Secretive World of Hindutva Pop Stars
Hindus in Hindu Rashtra (Eighth-Class Citizens and Victims of State- Sanctioned Apartheid)?
Hindus In Hindu Rashtra (Hindi)
Hop On: My Adventures on Boats,Trains and Planes
Hops Adventure
How Prime Ministers Decide
HOW TO DRAW FANTASY WORLDS
Humour, Seriously: Why Humour Is A Superpower At Work And In Life [Paperback] Aaker, Jennifer and Bagdonas, Naomi
I Dont Wait Anymore: Letting Go of Expectations and Grasping Gods Adventure for You
Ib Endless Search For Satisfaction
Ibs Endless Search for Satisfaction
Illusions: The Adventures of a Reluctant Messiah
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.













